Same model in both paintings. I'll have to work more on the second painting at the second session.
Friday, February 17, 2017
Self-portrait, 9 x 12
Painting a self-portrait is always an anxiety-laden process for me. I don't know whether to make myself prettier or uglier, since capturing an exact likeness is elusive. Out of the desire to paint from life, this is the model who's always available. I worked on keeping the edges soft.
It's hard to photograph this painting because of the glare. I feel the colors are cooler and richer in the actual painting.
Monday, February 6, 2017
Fishing boats, 16 x 20.
Done from a photo I took on my recent trip to China. My sister took us to a small fishing village called Nan'ao in southern Guangdong province, and we had the best seafood there, as fresh as you can get. Hope I can go back there.
Sometimes a painting just paints itself, and this one did. I was done in less than two hours. I think I'm getting more confident about leaving things out and not getting too hung up on details--spelling everything out for the audience. Case in point: those boats in the distance. I don't need to paint everything to death so people know those are boats. I only need to suggest there are boats and other things in the distance. It's actually more fun to paint this way and the painting comes out looking fresher and better.
Another thing is this painting is actually painted over a not-so-successful portrait sketch. I start to like painting over old pictures. I just turn the old painting upside down and start painting over it. The chaotic background provides a nice counterpoint and creates some excitement for the new painting. My paintings are done faster and almost come out better because of the layer of paint that's already on the canvas. And I like to paint landscape over portrait and vice versa because the warm tones of a portrait make a nice background for a landscape, and the cool tones of a landscape (blues and greens) work very well as an undertone for a portrait. So maybe it is like this--that no effort is ever wasted. But I do have plenty of old paintings that cannot be salvaged. They need to go in the trash.
Wednesday, February 1, 2017
Wednesday, January 25, 2017
Reclining nude, 12 x 16. Painted last night at Zoll Studio.
I have come to realize that when it comes to a good painting, composition is probably the single most important thing. Because in the end, all the great drawing, value plans and pretty colors won't save a bad composition--if things are in the wrong place.
Also it really helps to look at great artists' works, if just to train your eyes to get used to a higher level of drawing, color harmony, and edge handling. And to calibrate your brainwaves to vibrate on a higher frequency, so to speak.
Friday, January 13, 2017
Tuesday was a painting day.
Gisele, 11 x 14
Figure study, 16 x 20.
When I paint figures, I tend to elongate the form and the figures end up looking like models in fashion illustrations (blame it on years of doodling fashion models on the margins of my notebooks). So this time I really tried to correct that, and did a little too much. The model looks short and stumpy. Oh well. Maybe next time I'll get the proportions right.
Wednesday, January 11, 2017
Kuniko, 12 x 16.
The model is a kimono consultant. She makes kimonos and teaches people how to wear them. She is also a Shinto priestess. I watched a video of her doing a beautiful Japanese dance with a fan. She has a presence, and carries herself with a quiet dignity.
Sunday, January 8, 2017
The new year brings new hopes and resolutions. I remembered I have this blog and start to really think how this blog can sustain itself with my snail-like speed of posting three or four times a year.
I mean, do people still read blogs? Seems like everybody is on Facebook or Instagram now. But Facebook is not conducive to longer posts. Everything comes in piecemeal fashion. Thoughts become fragmented and you run the risk of looking neurotic if you are not careful. Plus, every time I see a long post without proper punctuation and paragraphing on Facebook, I tend to skip it.
Okay, enough New Year's reflection. Onto the painting.
The title for the painting is "She Will Rule." 18 x 24. Yes, you guessed it. I did it last year to support Hillary.
The idea came to me when I was taking a nap. Not really asleep, just lying there. I saw a vision of the painting rose in my mind and I had to bring it to life.
Then I was like a possessed woman. I had to have everything ready. I searched for all the props. Found the crown and the scepter on eBay, and they came from China. I ordered two scepters, one silver, one gold. I liked the gold one better. Plus, I stepped on the silver one when it was on the floor in my messy studio (not a very organized person) and broke it.
I found the chair (the "throne") in a second hand furniture store. It took me a long while but I finally saw this one. It was expensive, but when I'm possessed I don't care how much I spend.
I designed and made the costume myself. It's really all pinned and tied together by ribbons, although I did hand-sew the skirt.
I had to buy the fabric twice because the first time I miscalculated and it was too short.
I asked my friend Joanne to model for me. She is such a sweet girl and wouldn't let me pay her. I treated her to Chinese food. She worked and studied in China for three or four years.
But she didn't want to be a queen. I wanted her to give me an almost mean look with authority, she just giggled. But she did a good job and I got some nice photos.
I did two quick sketches from life, and then started on the big painting with the photo references. At the time I was still trying to get back into figure painting. I can't say I'm very satisfied with the result.
I hesitated to post on Facebook because some friends do support Trump. Sigh. Then I didn't.
In the end, I can only say this painting did not turn out the way I wanted it to, just like this election.
(Now my paintings like this one seem to require much longer time to finish, from the idea to completion. But if it has to be this way, then so be it. And a figure painting is a collaboration between the artist and the model.)